Frankie and Johnny in the Clair de Lune

By Terrence McNally
Directed by Nicole Ricciardi

Set over the course of a single late night in a small Hell’s Kitchen apartment, Frankie and Johnny in the Clair de Lune is a tender, funny, and deeply human play about two people standing at the edge of connection. Frankie, a guarded waitress, and Johnny, an earnest short-order cook, work together at a Manhattan diner. After their first date, they find themselves in bed—and talking through the night.

What unfolds is an intimate conversation filled with humor, vulnerability, and longing. Johnny, a hopeful romantic, believes he may have found something rare and real. Frankie, shaped by past disappointments, keeps her defenses firmly in place. As they circle each other—sometimes clashing, sometimes connecting—the play reveals the quiet courage it takes to risk love after life has left its marks.

Accompanied by the soft glow of Debussy’s “Clair de lune,” playing on the radio at Johnny’s request, McNally’s play blends gritty realism with gentle romance. Both funny and achingly honest, Frankie and Johnny in the Clair de Lune explores loneliness, resilience, and the possibility that even late in the night—and later in life—love may still be waiting.

Content Advisory: Frankie & Johnny takes an honest, often funny look at two adults on the late-night hours of a first date. Please be advised that the production includes moments of sexual intimacy and brief nudity.

Cast & Crew

Terrence McNally
Terrence McNally

Playwright

Terrence McNally was an American playwright, librettist and LGBTQ+ trailblazer, described by the New York Times as “the bard of the American Theater.” One of the few playwrights of his generation to successfully pass from the avant-garde to mainstream acclaim, Terrence redefined American playwriting for six decades and was the recipient of five Tony Awards (two for his plays Love! Valour! Compassion! and Master Class, two for the books to his musicals Kiss of the Spider Woman and Ragtime, and the 2019 Tony Award for Lifetime Achievement). Terrence received many honors throughout his life, including the Dramatists Guild Lifetime Achievement Award (where he was Vice President from 1981 to 2001), the Lucille Lortel Lifetime Achievement Award, and inductions into the American Theater Hall of Fame in 1996 and the American Academy of Arts and Letters in 2018. His incredible legacy lives on in his plays, musicals and operas that continue to be performed all over the world, as well as in his papers, which are kept and open to the public at the Harry Ransom Center in the University of Texas at Austin.

Nicole Ricciardi
Nicole Ricciardi

Director

Shakespeare and Company: Frankie and Johnny in the Clair de Lune, The Taming of the Shrew, King Lear, Time Stands Still, Creditors, 4000 Miles, The Taming, The How and The Why, Cassandra Speaks. Third Avenue PlayWorks: Moonlights and Magnolias, The Book Club Play. Berkshire Playwrights Lab: Above Water. The Nora at Central Square Theater: Cassandra Speaks. Samuel French OOB: Happy Anniversary. Ars Nova Out Loud/Bushwick Arts: The Bird and the Two-Ton Weight. Several new plays for Youngblood/Ensemble Studio Theatre and The Bats/Flea Theater. Associate/Assistant Director: The Belle of Belfast (Irish Repertory Theatre), A Midsummer Night’s Dream (Shakespeare and Company), Richard II (Shakespeare and Company), Melissa Arctic (Two River Theatre), The Cenci (Red Bull), and The Government Inspector (Red Bull). Faculty, The Theatre School at DePaul. MFA, Carnegie Mellon University. Member, SDC.

www.nicole-ricciardi.com

Jennifer Apple
Jennifer Apple

Frankie

Jennifer Apple is an actor, coach, writer, and podcast host from NYC, who is in playful pursuit of truth, vulnerability, and empathy in the arts. She originated the role of Anna in the 10x Tony Award-winning The Band's Visit First National Tour and received the Elliott Norton Award for Outstanding Lead Performance in a Musical for Dina in The Band’s Visit at the Huntington/SpeakEasy Stage. With performances at regional theaters like The Huntington Theatre, Shakespeare & Company, Chautauqua Theater Company, American Conservatory Theater, Goodspeed Musicals, and Pennsylvania Shakespeare Festival, Jennifer has made her mark on both stage and screen, with TV credits including a recurring role on Law & Order: SVU and New Amsterdam. She has an MFA in Acting from the American Conservatory Theater, has workshopped numerous new plays and musicals, and lent her voice to multiple original cast recordings. Jennifer’s mission as a sought-after acting coach is to empower others to embody their truest selves, so they can confidently and authentically express themselves with integrity in everything they do. She specializes in helping artists find new monologues through Monologue Sourcing, teaches strategy for breaking down text, and prepares folks for BFA/MFA auditions and last-minute auditions. She also teaches masterclasses and workshops virtually and in-person for schools, universities and theater programs all around the country, specifically within the framework of her Empowered Artist Intensive container. Jennifer is the founder and executive director of the Empowered Artist Collective, a community for women and non-binary artists to help foster sustainable and thriving careers in the arts. She hosts the Empowered Artist Collective Podcast, sharing valuable insights and advice for artists at all stages of their journeys. Discover more at www.JenniferApple.net or www.EmpoweredArtistCollective.com and follow her journey on Instagram at @JenniferApple_ and the podcast at @EmpoweredArtistCollective.

Jamal James
Jamal James

Johnny

Jamal James is ecstatic to be back at Shakespeare & Co!!! An actor who has performed all over the country, Jamal currently lives in sunny LA exploring Hollywood and its vibrant community. Always willing to talk about God, Star Wars, and Superheroes at any given time, he has also worked in voiceovers, television, features and short films, improv and is currently working on writing his own projects. Some of his recent favorite productions include: The Monsters, The Taming of the Shrew, The Royale, Hamlet, Feeding Beatrice, The Color Purple, Peter and the Starcatcher, Beauty and The Beast, Violet: The Musical; TV/Film Credits: Blue Bloods, GOTHAM, City on a Hill, FBI: Most Wanted, Hit Me, Power Out, Lost Time. All love to God, his family and friends and to you and yours.

Amy Altadonna
Amy Altadonna

Sound Designer

Pronouns she / her

S&Co: King Lear, The Chairs, Time Stands Still, Merry Wives, The Children, HIR, Creditors, 4000 Miles, Or, Red Velvet, and others. NYC: Eureka Day, Joan, Cal in Camo, Dry Land, Seven Minutes in Heaven, (Colt Coeur), American Daughter, Glengarry Glen Ross (NYU Tisch). Regional: All’s Well That Ends Well (OSF), 10x10 (BSC), Dear Elizabeth (Dorset Theatre Festival), Julius Caesar (Actors Shakespeare Project), How I Learned to Drive (Round House), Our Town (Alabama Shakespeare Festival), Death of a Salesman, Fences (Virginia Stage Company), Peter and the Starcatcher, Skin of Our Teeth (Perseverance Theater). She is the Undergraduate Program Director for UMass Theater. amyaltadonnasounddesign.com Thank you to my incredible daughter...life is most joyous with you.

Christina Beam
Christina Beam

Costume Designer

Pronouns she / her

Christina Beam is a freelance costume designer and technician whose work spans theater, opera, dance and film. Christina holds an MFA in costume design from UMass Amherst, having completed an assistantship that included rigorous work in costume construction. Her designs for The Lily’s Revenge at UMass Amherst were included in the 2019 USITT/USA Prague Quadrennial Emerging Artist Exhibit and the 2022 World Stage Design Emerging Artist Exhibit, and her costumes for the “In the Woods” photography series were featured as part of the 2023 USITT/USA Prague Quadrennial Emerging Artist Exhibit. Some of her other Shakespeare and Company costume design credits include last summer’s Romeo and Juliet, Flight of the Monarch, and A Walk in the Woods. Christina is also currently working as the Costume Lab Manager at the University of North Carolina at Charlotte. For further examples of her work, please visit www.christinabeamdesign.com.

Nathaniel Bokaer
Nathaniel Bokaer

Stage Manager

Pronouns they / them

Nathaniel Bokaer is a Stage Manager and Costumer based in the Berkshires. This is their sixth season at Shakespeare & Company, and their first since 2022. S&Co: Asst. Stage Manager (Heisenberg, hang), Stage Management Intern (2020 Northeast Regional Tour), Wardrobe (Love’s Labour’s Lost, Twelfth Night, The Merry Wives of Windsor, King Lear, The Chairs, Much Ado About Nothing), Costume Designer (2019, 2021, 2022 Fall Festival of Shakespeare). WAM Theatre: Stage Manager (1999, Rooted), ASM (Galileo’s Daughter). Great Barrington Public Theater: Stage Manager (Madame Mozart), ASM (How to Not Save the World with Mr. Bezos, Survival of the Unfit, Dog People, Just Another Day). Chester Theatre Company: Stage Manager (Mr. Joy, Big Big Sky). Nathaniel has also worked with Barrington Stage Company, Berkshire Theatre Group, CATA, and many other local arts and education organizations. They hold a BA in Theatre and Psychology from Simon’s Rock, and live in South County with their wife, child, and dog.

Madeleine Hebert
Madeleine Hebert

Lighting Designer

Recent work includes WAM: Rooted (LD). Shakespeare &Co: Mother Play (LD). Westfield State University: Pippin (LD), The Servant of Two Masters (LD). Des Moines Metro Opera 2026 Season (ALD). Santa Fe Opera 2025 season (ALD). San Francisco Opera 2024 Fall season (ALD).

John McDermott
John McDermott

Scenic Designer

Previous set designs at Shakespeare & Co. Include Red Velvet, The Creditors, Time Stands Still, and others. Recent work includes Are the Bennet Girls Ok? for Bedlam, Chains for Mint Theater (Drama Desk nomination). Colt Coeur company member designing Dry Land, Zurich, Cal in Camo, and others.

Kulia McLaughlin
Kulia McLaughlin

Assistant Stage Manager

Pronouns she / her

Kulia is excited for her second season with Shakespeare & Company as an Assistant Stage Manager. She is a rising senior at Tufts University, majoring in Theatre, Dance, and Performance Studies with a minor in Music and Political Science. Kulia previously Assistant Stage Managing The Victim among other shows at Shakespeare & Company last season as the summer Stage Management Intern. Originally from Sherwood Oregon, Kulia began her stage management journey with the Sherwood Foundation for the Arts and is delighted to continue pursuing her passion as an Assistant Stage Manager at Shakespeare & Company.

Melissa Ziccardi
Melissa Ziccardi

Assistant Stage Manager

Back for another season at Shakespeare and Company, Melissa has done wardrobe for shows such as The Taming, Henry VI part 2, Fences, and The Islanders; and she’s doubled as wardrobe and ASM on shows like 4000 Miles, the Wharton One Acts and Topdog/Underdog. She started working for Shakespeare & Company back in 2016.

Key details

Dates & Times

July 30–August 23

2 PM & 7 PM

Location

Elayne P. Bernstein Theatre

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