January Month-long Intensive
program Dates
December 28, 2024 to January 19, 2025
Arrival: Friday, December 27 Departure: Monday, January 20
Tuition Fees
$4,850 USD
Early payment discount: Pay the full tuition by September 30 and save $500.
The January Intensive is Shakespeare & Company’s signature workshop. For six days a week, morning to night, participants immerse themselves in voice, movement, text analysis, exploration of the actor/audience relationship, sonnet work, scene work, clown, stage fight, and in-depth discussions about the function of theatre and the role of the actor in today’s world.
Program Description
Dates
December 28, 2024, through January 19, 2025
Arrival: Friday, December 27
Departure: Monday, January 20
Tuition
$4,850 USD
Scholarships
THIS YEAR’S SCHOLARSHIP AND FINANCIAL AID DEADLINE HAS PASSED
A limited number of scholarships are available for People of the Global Majority/BIPOC artists from the Dennis Krausnick Fellowship Fund. Application, interview, and audition video are due by October 15.
For consideration and further details, fill out the online application and check the box for BIPOC scholarships. Please note: Multiple discounts and scholarships cannot be combined.
Housing
Tuition costs include single-occupancy housing in apartments, cottages, or dormitory-style rooms with full kitchen access. All housing is located on campus close to studios and classrooms.
Course Gallery
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You will study...
.01 Linklater Voice
The full progression of Kristin Linklater’s approach to voice training for actors is taught during the four weeks by Designated Linklater voice teachers. In addition to daily classes in Linklater, voice teachers regularly join in text classes and offer specialized classes to help participants integrate the voice work into their scenes.
.02 Movement
The movement progression includes Pure Movement (Swings), Alexander Technique, physical expressivity, and dance. Participants will be guided through exercises to promote awareness of (and release from) habitual body tension, sensitivity to impulse, dynamic physical presence and stamina, delight in moving with passion and precision, and ensemble.
.03 Text Work
Basics introduces the actor to a text approach which demands an open and personal commitment to thought, word, and gesture. Basics evolves into scene work, first through Dropping In (an approach to experiencing the text on a word-by-word basis) and into text analysis and detailed scene work. Classes in Sonnet and Structure of the Verse round out the text progression, allowing actors to merge their personal connection with the form of Shakespeare’s language.
.04 Actor/Audience Relationship
The participant is invited to explore the Elizabethan world of Actor/Audience Relationship—a theatrical reality without a fourth wall, in which the immediate energy of the audience fuels the actor to reveal a deeper level of truth and experience, which in turns enkindles the audience’s ability to receive Shakespeare’s language.
.05 Clown & Stage Fight
The participant is invited to explore the Elizabethan world of Actor/Audience Relationship—a theatrical reality without a fourth wall, in which the immediate energy of the audience fuels the actor to reveal a deeper level of truth and experience, which in turns enkindles the audience’s ability to receive Shakespeare’s language.
Tuition
Full course tuition is
$4,850 USD
- Early payment discount: Pay the full tuition by September 30 and save $500.
A limited number of scholarships are available for People of the Global Majority/BIPOC artists from the Dennis Krausnick Fellowship Fund. Application and audition video due by October 15. Contact us for more information.
You will learn:
- A deeper connection of the body and voice when acting on stage
- Confidence to be fully present on stage when speaking Shakespeare's language
- An understanding of the forms and structures that support the actor’s emotional, visceral and cognitive imagination
- The skills necessary to authentically deliver Shakespeare’s language with accuracy, specificity, and clarity of thought
- A renewed trust in yourself as a theatre artist