In-person Specialized Workshops
programme Dates
January 3 to 29, 2023
Arrival: Monday, January 2 Departure: Monday, January 30
Tuition Fees
$4,875 USD
Early payment discount: Pay the full tuition by October 15 and save $600.
The Center for Actor Training typically offers a variety of specialized workshops throughout the year exploring a full range of disciplines including rhetoric, wit, clown, fight, voice, movement, public speaking, and more. Go here for more details on our online programming.
Alumni Advanced Weekend Intensive *New Workshop*
This new workshop is specifically designed for those who have completed the January Month-long Intensive, Summer Shakespeare Intensive (formerly Summer Training Institute), or the Conservatory. Join fellow Alumni for three full days in the transformative work you know and love. By bringing together actors experienced in the Shakespeare & Company aesthetic, this workshop will offer concentrated and deep engagement with Linklater voice, movement, and text as well as refreshers in specialty skills like fight and play.
This workshop is limited to 12 participants.
DATES: December 5 to 7, 2025
TIMES: 10 AM – 6 PM, each day
LOCATION: New York City
TUITION: $395*
*No discounts are available for this workshop.
Click here to apply.
Clowning For Actors
Led by Shakespeare & Company master clown teacher and faculty member Micheal F. Toomey, this workshop explores the transformative world of Clown and blends physical theater, improvisation, and the authentic self to help actors rediscover their Clown and deepen their capacity for connection, presence, and play.
Across cultures, the Clown has served as a mischief-maker and a mirror. They reveal what is most human in all of us—and ask us to laugh at it. In this three-day experience, actors will discover what is most human, most vulnerable, and most ridiculous about themselves—and invite the audience to laugh.
All levels of experience and ability are encouraged to participate.
DATES: POSTPONED, New dates to be announced
LOCATION: Shakespeare & Company campus, Lenox, Mass.
FACULTY: Michael F. Toomey
TUITION:$395; alumni (15%) and union (10%) discounts are available.
BIPOC ARTIST and STUDENT TUITION: $345
PLEASE NOTE: For all in-person workshops, all participants and workshop staff are encouraged to have completed a COVID-19 vaccine regimen. For all programs held on the Shakespeare & Company campus in Lenox, Mass., this includes being up to date on the most recent COVID-19 vaccine dose(s) for which one is eligible.
Course Gallery
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You will study...
.01 Linklater Voice
The full progression of Kristin Linklater’s approach to voice training for actors is taught during the four weeks by Designated Linklater voice teachers. In addition to daily classes in Linklater, voice teachers regularly join in text classes and offer specialized classes to help participants integrate the voice work into their scenes.
.02 Movement
The movement progression includes Pure Movement (Swings), Alexander Technique, physical expressivity, and dance. Participants will be guided through exercises to promote awareness of (and release from) habitual body tension, sensitivity to impulse, dynamic physical presence and stamina, delight in moving with passion and precision, and ensemble.
.03 Text Work
Basics introduces the actor to a text approach which demands an open and personal commitment to thought, word, and gesture. Basics evolves into scene work, first through Dropping In (an approach to experiencing the text on a word-by-word basis) and into text analysis and detailed scene work. Classes in Sonnet and Structure of the Verse round out the text progression, allowing actors to merge their personal connection with the form of Shakespeare’s language.
.04 Actor/Audience Relationship
The participant is invited to explore the Elizabethan world of Actor/Audience Relationship—a theatrical reality without a fourth wall, in which the immediate energy of the audience fuels the actor to reveal a deeper level of truth and experience, which in turns enkindles the audience’s ability to receive Shakespeare’s language.
.05 Clown & Stage Fight
The participant is invited to explore the Elizabethan world of Actor/Audience Relationship—a theatrical reality without a fourth wall, in which the immediate energy of the audience fuels the actor to reveal a deeper level of truth and experience, which in turns enkindles the audience’s ability to receive Shakespeare’s language.
Tuition
A limited number of scholarships are available for People of the Global Majority/BIPOC artists from the Dennis Krausnick Fellowship Fund. Contact us for more information.
You will learn:
- A deeper connection of the body and voice when acting on stage
- Confidence to be fully present on stage when speaking Shakespeare's language
- An understanding of the forms and structures that support the actor’s emotional, visceral and cognitive imagination
- The skills necessary to authentically deliver Shakespeare’s language with accuracy, specificity, and clarity of thought
- A renewed trust in yourself as a theatre artist
