A Celebration of Developing Works
Experience a play in its early stages, when possibilities are endless! Returning for its third year, Plays in Process offers a glimpse into the inner workings of play creation as new works are readied for the stage, with lively talkbacks with playwrights and performers accompanying every performance. All 2024 Plays in Process will be held outdoors, rain or shine, under the Rose Footprint Theatre tent!
Season 2024’s Three Tall Persian Women by Awni Abdi-Bahri began as a reading in Plays in Process and now makes its Word Premiere at Shakespeare & Company.
Schedule of Performances
Tuesday, August 27
Ado by Lavina Jhadwani
Hero is falsely accused of infidelity by her fiance, publicly shamed by her father, and left at the altar on her wedding day. And just when she thinks it can’t get worse, her trusted friend Margaret reveals her own role in the events. Will Hero forgive Margaret, and can she even consider forgiving the men who wronged her? And what is this contract of marriage all about, anyway? Inspired by Shakespeare’s Much Ado About Nothing, this new comedy offers a fresh take on an old tale.
ADO is produced by special arrangement with the Indianapolis Shakespeare Company, The New Harmony Project, and WME Agency.
TICKETS
____________________
Wednesday, August 28
Oak by Terry Guest
Oak is a southern gothic horror about three kids, an old woman with a shotgun, and a mysterious creek monster.
Oak was developed by Urbanite Theatre of Sarasota, Fla. as part of the 2020 Charles Rowan Beye New Play Commission (Summer Dawn Wallace, Brendan Ragan; Co-Artistic Directors). Oak was first produced as a National New Play Network Rolling World Premiere by Urbanite Theatre, Phoenix Theatre Cultural Centre (Indianapolis, Ind.), and Alleyway Theatre (Buffalo, N.Y.). Oak is produced by special arrangement with the Independent Artist Group.
TICKETS
____________________
Thursday, August 29
The Victim by Lawrence Goodman; Directed by Daniel Gidron
A successful New York doctor whose racial diversity training goes horribly wrong. A health aide grappling with racism during the COVID-19 pandemic. A Holocaust survivor facing horror and finding her way back to love and healing. Three women, three interconnected monologues — Who gets to call herself a victim? Who is a perpetrator? The Victim is about identity, our blindness to others, and the human capacity for cruelty and compassion.
TICKETS
____________________